French-American soprano Véronique Filloux has been praised for her “expressive, lovingly shaded soprano” and her “dazzling coloratura and lithe stage presence [used] to piquant comedic effect” (Opera News). This summer, she returned to Des Moines Metro Opera as Peaseblossom/Tytania (cover) in A Midsummer Night’s Dream after singing L’Amour/La Folie (cover) in Platée in 2021. She also debuted with Washington Concert Opera as Miss Ellen (Lakmé). Spending the season with Arizona Opera, she sings Zerbinetta (Ariadne auf Naxos), Liesl (The Sound of Music), Agatha (Frankenstein, workshop), and Pamina (Die Zauberflöte). She also joins Berkshire Opera Festival as Musetta (La bohème) and Pacific Opera Project as Martesia (Ercole su’l Termodonte). A 2020-22 Pittsburgh Opera Resident Artist, her roles included Papagena (The Magic Flute), The Girl/Luna (The Rose Elf), Frasquita (Carmen), Despina (Così fan tutte), Chan Parker (Charlie Parker’s Yardbird), and Handel’s titular Semele. Other recent engagements include Tigrane (Radamisto) with Opera Lafayette, Dixit Dominus and BWV 208 with Music of the Baroque, Brigitta (cover, Iolanta) and Doodle (cover, The Scarlet Ibis) with Chicago Opera Theater, and both Papagena (Die Zauberflöte) and the title role in La damoiselle élue with Central City Opera. On the concert stage, her repertoire includes Messiah, Carmina Burana, Poulenc’s Gloria, Beethoven’s Mass in C, and many Bach cantatas with companies including Music of the Baroque, Urbana Symphony Orchestra, Bach Collegium San Diego, and Westmoreland Symphony Orchestra. Véronique is the 1st Place Winner of the Zenith Opera Competition, the Mildred Miller Competition, and the Camille Coloratura Awards. She is a prize winner in the Laffont Competition, Orpheus Competition Annapolis Opera Competition, and Musicians Club of Women Competition.